One of these very fast ink pieces with the ink still wet.
Straight to the top of the album charts this week is the compilation album, Now That’s What I Call a Bunch of Corporate Whores! Volume 1. I hear it’s very good.
[I came out with this during breakfast time but didn’t post it as I thought I’ve got to rein in this maybe excessive kind of focus, but anyway, forgive me but here it is!]
https://www.youtube.com/live/uV4YXxjBhCw?si=_43HK4gny5gRjxDK
For some reason I can’t embed this excellent talk with Orthodox priest, Fr Turbo Qualls here, who himself was apparently pretty deep in these regions. A long video, which starts 4 or so minutes in, maybe a bit slow to get going but goes very deep - and into areas that are at the very core of society now, rather in any sense confined to the outer fringes.
Two more quick ink pieces. A probably superfluous bit of info is that clicking on the images will enlarge them.
Heartwarming and uplifting news from the entertainment industrial complex where Robert the Niro is on board with a new film, We Are the Deep State Fockers. This is the seventeenth film in this hilarious and sometimes amusing series of iconic Fockers movies that have never yet let an audience down.
New band Deep State Papacy, made up of Woke Pope Francis and several members of Deep State Cabal, following up on their debut single, Who Needs Christ When You’ve Got Me, have just recorded a new song, Deep State Shitbags, which, all going well, will be released early in the new year. The b side is Inclusivity is My Mantra (Let Me Be Your Guru). Some lyrics from Deep State Shitbags below:
Good article here, the opening from it below. To add, I’d be pretty certain my own mum died as a result of the first booster shot she took, and which she genuinely didn’t want, but because she had serious medical issues, with for example twice weekly hospital visits for kidney dialysis, she was heavily pressured into getting the shot, and more or less immediately afterwards her health collapsed, and she endured much distress till her death a few months later. She was more or less unable to get any food into her, and the medical experts couldn’t understand what had changed so dramatically. Her brother who had had a stroke, was in a room opposite her, but was only permitted to visit her until a couple of days before her death. Wonderfully humanitarian stuff. The staff though in fairness did choose to turn a blind eye to complete restriction of family visits since it was so obvious for weeks before her death where things were heading. My young sister, adopted from Kazakhstan, preferred not to see her though after one visit, since you couldn’t exaggerate how shocking she physically looked.
It was funny how there was quite a lot of caution about what drugs she should be taking for her general condition over the last 12 or so years of her life, how the various chemicals might react against each other, so to speak and so on . . . That is, until this unprecedentedly hyped drug came along, and all of a sudden there was zero caution about what might ensue. There was zero long-term evidence of what might happen, because of course it was new, but just shut up and take it.
My mum could have, let’s say, a quite strong spiritual sensitivity, and I know she had a strong sense not to get the booster, but I think she was just worn down by the pressures coming from close family and the medical world with which she was in frequent contact. I’d say still if I so much as hinted to family of the possible connection between her catastrophic collapse and the new drug she had just taken, or more truthfully been coerced into taking, some would likely have meltdowns at the nefariousness of the diabolical suggestion.
Anyway, just the beginning of the linked article below:
In exclusive interview California intensive care unit nurse Gail Macrae shared her story of pushing back against hospital COVID-19 protocols that she said violated medical ethics and resulted in increased harm to patients.
Macrae worked at the Kaiser Permanente Hospital in Santa Rosa from 2015 until 2021, when she was fired for not complying with the staff vaccine mandate.
After the COVID-19 vaccine rollout, Macrae witnessed a dramatic spike in hospitalizations with side effects she had never seen before. Meanwhile, proven and recommended treatments were banned and record-keeping systems were manipulated to obfuscate vaccine-related injuries and breakthrough infection cases, she said.
Hospital staff faced threats for reporting adverse events and retaliation for objecting to protocols isolating patients and denying families access and input over their treatments.
In his new book, “What the Nurses Saw: An Investigation into Systemic Medical Murders That Took Place in Hospitals During the COVID Panic and the Nurses Who Fought Back,” Ken McCarthy details similar events.
Despite the recent departure of some founding members to form Countercultural Icons of Humanity, it seems there’s no stopping the streams of inspiration flooding the minds, hearts and veins of Rockstars Against Freedom, who have a full double album of original material lined up for release by, hopefully, March of 2024, titled Covid Masks Are the New Freak Flags.
The band’s lyricist and singer recently opened up to Rolling Stone magazine about his recently recurrent nightmare of waking up in a dark coffin, having erroneously been thought to be dead, and now realising to his horror that he is not wearing a Covid mask and may well be vulnerable to infection. A terrifying thought, and the substance of which, in our turbulent times, is plaguing even the very best of us.
I can exclusively reveal the track-listing of the album below:
I’m afraid it floated a little under my radar, but it appears hard-working rockers The Populace have had their version of a Christmas single in circulation for the last few weeks, and it goes under the title It’s Beginning to Look a Lot like Brainwashing.
Surprising word of Pope Francis teaming up with Deep State Cabal, calling themselves Deep State Papacy, to release a Christmas single, Who Needs Christ When You’ve Got Me. The b side is Get With the Program Assholes, which contains the interesting lines:
News of two upcoming projects from the entertainment industrial complex has floated my way: Corporate Whores of Hollywood Teach the World to Love, and also Corporate Whore Countdown.
Unfortunately that’s as much has been revealed, so we can but wait and see what the entertainment gods have in store for us. Personally, I’m especially intrigued by Corporate Whore Countdown - my imagination going into overdrive conjuring up images of what it could involve. Though maybe it will just turn out to be an educational programme, with various corporate whores helping children learn how to count - who knows.
I posted this as was a few days ago, and this is it now after some work on it, not that it’s quite finished yet.
I posted the right half of this quickly done picture a few days ago, but this is the whole piece as it came out. Hard to know if the left half should be included as a whole - after maybe some more ink is scraped away with a blade or white paint added- or it’s better with just the right half no its own.
Rockstars Against Freedom, inspired by hearing World Economic Forum’s Klaus SSchwab’s 2023 Christmas single, All I Want for Christmas is Obedience, have already been in and out of the recording studio to record a direct response to the song, titled: Undying Obedience (We Offer It to You). Some lyrics below:
The World Economic Forum’s Klaus SSchwab has just released his 2023 Christmas single, a whimsical number called All I Want for Christmas is Obedience. Nostalgic for the golden days of vinyl as record lover Klaus always is, the single also has a b-side - which some are saying may have more substance, but perhaps yes, may possess less commercial appeal for the masses - and it goes under the title of I Want to Hack Into Your Charming Little Brain and Control You, My Love.
Someone sent me this link yesterday of a piece on Ireland’s national broadcasting brainwashing agency, RTE, in action, pushing very, very, very hard a climate catastrophe agenda. Weird seeing how the cautionary ‘fictional’ vision of something like Brave New World playing out as reality in front of one.
I recently watched a documentary on Michelangelo Antonioni, the Italian filmmaker best known for 1960s films like l’Avventura, L’Eclisse and Blowup. These films have an absolute integrity to Antonioni’s artistic sense, can be deep and poetic, visually rather than narratively focused, but also to be honest contain at times for me very tedious passages. They typically embody both an ennui or emptiness at the heart of Western society, not overtly portrayed or discussed but silently portrayed in the lives of its generally beautiful, quite well-off lead characters, like Monica Vitti; but also at the very edges of all this is, very much unspoken, a sense of the spiritual whose very absence in the modern Western world, is the cause of this emptiness, and towards which there is some almost wholly unarticulated, or barely even sensed, yearning. In embodying this spirit of emptiness, this lack of dynamism, though as a consequence the result can be that the films themselves, are heavy with this spirit of ennui; Passenger with Jack Nicholson from the 1970s a strong example of this.
So anyway, I think it fair to say that regardless of how much his work resonates with one, there’s possibly no well known director of the West who could be less claimed to be a product or slave of the system than Antonioni. To add, by contrast the very purpose and heart of totalitarian ‘art’ is always propaganda, and where the heroes of fascism or communism are all-conquering superheroes, certain of truth, embodying good and defeating evil, and thus incarnating in themselves the very essence of the State itself - which of course is the very highest good. The films intentionally target the big emotions and adrenaline of the viewer, full of action and excitement, with, to add, the modern Hollywood mania for superhero films very much in this tradition and of this ethos. And tinkering about with, for example, the gender makeup of the superheroes is itself specifically an ideological motivation, rather than in any sense an undercutting or breaking free of the this propagandist essence.
In 1972 Antonioni was commissioned by the Chinese Communist government to do a documentary on life there, which he accepted. Perhaps they asked him because they had the idea of him as either apolitical or at heart inimical towards ‘degenerate’ Western values. Or perhaps someone there knew of his earlier documentary works, focused by contrast to his later films, on the lives of the Italian poor. The resulting documentary Cino can be seen on YouTube. I’ve seen only some of it, and it seems to focus on facets of ordinary life, on finding the deeper spirit of the people, and as usual with Antonioni without dogmatically forcing any opinions on the viewer. At first his documentary on viewing was accepted by the Chinese Communist Party apparatus - and which was probably a condition of his commission - but later after its release, perhaps due to internal politics and personality clashes within the Party, there was a major sea-change in attitudes to the documentary, and in the official proclamations about Antonioni it was declared that:
“Inspired by a vicious motive, by underhand and utterly despicable means, Antonioni hunted specifically for material that could be used to slander and attack China. [This is the work of] an extremely reactionary and despicable fascist.”
As shown, there has likely been no director in the West who less fits the criteria of a fascist propagandist than Antonioni, but this was of course irrelevant to his accusers. Antonioni responded that he had fought in the Resistance during World War 2, and was condemned to death, in his personal absence, by the fascists under Mussolini. True though this was, though maybe at times it may be unavoidable, one should be very slow to go on the defensive against these kinds of people - which is to accept in some sense the legitimacy of the position from which they attack, and against which one then seeks to defend and justify oneself. Instead if at all feasible it is they and their truthlessness that should be attacked and exposed.
So Antonioni was felt now to be on the wrong side of the good/evil divide in the dynamic where no opposition is permitted and where one must overtly serve the establishment, and so he was now a legitimate target for the ruthless mechanism of cancel culture. Any felt threat is absolutely demonised, and thus the catch-all accusation of his being a fascist, and which should generally tell one far more about the nature and motivation of the accuser than the accused. And being declared to be a fascist, or some such slur, by these kinds of forces should very likely be considered more a badge of honour than one of shame, it signifying that you are now a felt threat to their paranoiac, totalitarian lusts.
“the unconfused union and conjunction of soul and body constitutes, when maintained in harmony, a single reality... When not harmonious, there is a civil war in which each side desires victory.”
Children’s aesthetic sense is a deep half-animal feeling and when it is outraged it leaves a wound behind it that never quite heals up.
John Cowper Powys, Weymouth Sands
Out of all the impressions that had crowded up in her in the last few hours since she had stood on the deck in the harbour watching the drifting foam, the deepest was the one that it was hardest for her to analyse or define. It had to do with the personality of the man called the Jobber. She had never felt about any man - or indeed any human being - this curious disturbance of her inmost reserve. It was as if some hidden self, hardly known to her own consciousness, had at last found its recognition, its defence, its security, its refuge.
John Cowper Powys, Weymouth Sands.
‘Drawing away her eyes with a sigh from the warm lamp-lit squares of human comfort presented by these small houses, every one of which she felt to be a world of homely drama from which in her loneliness she was excluded, the girl stared down again upon the blurb and blotches of floating spray which showed like streaked marble now in their wayward outlines as the waves beneath them grew darker and darker. How would anyone know that these waves were winter waves?’
John Cowper Powys, Weymouth Sands, 1934.
The video is likely to be removed, but here it is for now. Pizzagate, in case you didn’t know, with its allegations of pedophilia rings servicing some of the ‘elite’ members of society, was of course debunked by serious investigative journalists like this guy, who coincidentally has just been arrested for multiple allegations of child rape.
A modern general, reassuringly advanced in thought and at one with the times, stands before his troops in the grave moment before they are sent into an arena that promises, as they are all all too aware, near certain death. He nods introspectively, then raises his somber eyes toward them and utters his final words before the fatal hour:
“Stay safe everybody!”
Neil Young, one of the leading figures of Rockstars Against Freedom, has recorded a new version of his famous anthem Rockin’ in the Free World, with the tune remaining the same but with the main line now altered to Silence All Dissidents. Young is hopeful this new version will shine a light in the darkness, and hopefully have a special place of resonance in the hearts and minds of the youth of today,
Quick idea that just came to me: Ideological sweatshops - intellectually inclined but impoverished youths in various parts of Asia kept chained up in sweatshops, subjected to incessant stresses like bullying, food and sleep deprivation, lack of daylight, etc. And after weeks of this when resistance has been overcome and their personalities sufficiently broken down, from the ashes and bloodshot remains of their minds they start to come out with terms like non-binary and various inane and deranged ideologies; and then these creations are imported to the West and consumed by unfortunate idiots.
This below taken from this site, Unseen Warfare
I received this email from Orthodox Ethos, an Orthodox channel, who amongst other things are also prolific book publishers under the name Uncut Mountain Press:
Due to ongoing censorship on Youtube, The Orthodox Ethos received a strike on their channel for discussing the covid vaccine during a question from a viewer. They are forbidden from livestreaming videos for one week
………………….…….
Ah fascism: the seamless and heartwarming union of Big Government and Big Business - Big Business here represented by the ethically and intellectually perfect duo of Big Pharma and Big Tech. Together these forces are protecting democracy from its enemies.
The meaning of words though, as we all know, has now become quite flexible, and it is possible that ‘democracy’ is now identifying as something a bit different from what it used to. I’m not sure but I think maybe fascism now identifies as democracy and vice versa - I’d have to look it up though.
And to add, since Youtube is owned by Google, then of course the same attempts to edit reality are applied with great enthusiasm to the parameters of that search engine.
Deep State Cabal have just recorded their attempt on this year’s Christmas charts, and which battle for No. 1 should prove very exciting. Their single is called World War Three, and the opening lyrics below:
George Soros, the oldest man in the world, has a new autobiography instalment out called Satan Will Reward Me For My Obedience (Things Are Good Now but I Can’t Wait for the Real Payoff). Hilary Clinton has described the book as “inspirational and educational”, Bill Clinton has called it “a real turn-on”, while Tony Blair, speaking in an official capacity on behalf of the EU, has called it “moist.” Not sure what that’s supposed to imply but it sounds really cool.
Something I’m working on tonight. The main core of this gets made very quickly, in a minute or two, and at its best, very interesting things happen with the conscious mind not at all at the wheel of things. On the other hand though, the far greater likelihood is crap gets made very quickly. The trickiest result though is when you feel there’s deep things going on, and maybe you can somehow unify it into a desirable order, but this is an awful lot easier said than done! Partly also, because given the nature of these kind of things, the nature of that finished order may be far from obvious, never mind being technically able to achieve it. So sometimes you get somewhere, and other times you don’t - but I suppose without the effort you wouldn’t find out either way.
Quick on the heels of new project, Rock Stars Against Freedom, and their re-interpretation of Neil Young’s song Helpless, re-imagined as Gutless, is a second song, which is another re-imagining of an old classic, again with a Neil Young connection, this time Crosby, Stills, Nash and Young’s 1970 hippie anthem of defiance, Almost Cut My Hair, which has now become Almost Didn’t Get My Booster Shot.
*Actually, stepping away from satire, I’ve just looked up that song Almost Cut My Hair, which involves standing strong in attitude against the oppression of the establishment - as demonstrated by not getting a haircut - and to be honest the only words from it I consciously knew were the title itself, but I see now it’s actually uncanny how fitting it is for my purpose.
If you remember, 60s icons like Neil “Rockin’ in the Free World” Young and Joni Mitchell demanded Spotify remove Joe Rogan from its platform in protest of his speaking to genuine medical experts like Robert Malone, who had very different things to say about lockdowns, forced vaccines, and how safe and effective these unproven “vaccines” were. Oh my God! Misinformation! Shut him down! He’s going to get us all killed!
So when Spotify stuck with Joe Rogan and the little bit of free speech still doing the rounds, Neil Young and Joni Mitchell, obediently at one in ethos with the establishment and also presumably obediently terrified of death, removed their music from the platform in protest of said free speech.
So anyway, the actual lyrics below to Almost Cut My Hair:
Almost cut my hair
Happened just the other day
It's gettin' kind of long
I could've said it was in my way
But I didn't and I wonder why
I feel like letting my freak flag fly
And I feel like I owe it, yeah ... to someone, yeah
Well, must be because I had the flu this Christmas
Oh, yeah and I'm not feeling up to par
Oh, I tell you baby this increases my paranoia
Yeah, like looking in my mirror and seeing a police car
Well, well, I'm not, I'm not giving in an inch to fear
Well, you know I've promised myself this year
Well, I feel oh, like I owe it, I owe, I owe it to someone
Oh ... like I owe it to someone
. . . Separate the wheat from some chaff
Oh, and I feel ...
Like I owe it, yeah ... to someone
So just cos he had the flu didn’t mean he was going to give in an inch to fear. That’s the attitude. The wheat was going to get separated from the chaff, with the wheat standing strong and, consumed with said fear, the chaff bowing down. And this below from Joni Mitchell’s Woodstock:
I came upon a child of God
He was walking along the road
And I asked him where are you going
And this he told me
I'm going on down to Yasgur's farm *
I'm going to join in a rock 'n' roll band
I'm going to camp out on the land
I'm going to try an' get my soul free
We are stardust
We are golden
And we've got to get ourselves
Back to the garden
So beautiful. This fearless child of God. There’s nothing higher than spirit. Except maybe complete faith in government coercion and endless fear for the demise of the physical body - which of course, however much fear it tries to defend itself with, is going to die regardless. So there had been a slight shift from the sentiment of Timothy Leary’s 60s mantra of “Turn on, tune in drop out” towards an attitude of more, “Turn on the mainstream media, tune in, bow down.” By contrast, I don’t think Van Morrison ever made too much self-eulogising noise about flying his freak flag, but here was his response when the pressure came on hard and the relentless propaganda of fear and coercion was pouring out:
No more lockdown
No more government overreach